Why I Will Avoid The Substance Movie

The reason I want implementation of age verification for adult content is not because I want to access such content, but precisely because I don’t ever want to access it. If a site asks me to show my papers, I will know to avoid it. I know I cannot force other people to protect their mental health, but personally I am dreaming of a clean internet and a world without war. And I’d be cool with no internet if it can’t be cleaned up. For now, the rule is, if it is safe for the smallest of little children, it is safe for me. Otherwise, it is not worth my time. So, the answer is in the intro, but I will go on.

Although I was initially looking forward to that film, I heard so many spoilers and parental advisories, that I can safely conclude without even watching the film that its unique purpose is to depict extreme violence and extreme sexualized violence against women under the pretext of consensual medical interventions. Taking two of the most watchable female actors and making something unwatchable… how can you even!

At this point, I am convinced that AI can do a better job at writing scripts because human intelligence seems to have caught an incurable misogyny virus in Hollywood. You can’t conceal misogyny just because the person who wrote this garbage is a woman. Women directors in Hollywood clearly must show unflinching hatred for their own gender to be picked up by that boomer industry.

It reminds me of my second law internship when I was asked to watch child porn to poke holes in child victims credibility and I was like “nah”, and so I don’t work in law anymore. How can I put this, I’d rather die than watch something I don’t want to watch. I also realized if I continue representing this client, I may incidentally murder him and then graphic movies would be made about me… I am about to also cancel Cannes over this film actually. It’s a point of no return. From now on, I will carefully filter anything out of Cannes before I decide whether or not it is safe for me to watch.

There definitely is a fake trend of body horror content out there (judging by the gazillion gory, true or not so true crime shows streaming right now) and it is interesting to find out why, because I did not consent to that. Maybe I am living in the wrong world, but it will continue to be a hard nope.

And by the way, I still watch hundreds of films every year (mandatory minimum of one film a day), it’s just that Hollywood fails to make the cut these days due to its obsession with war, guns, and violence against women.

Some of the official parental advisories on The Substance are the following :

  • Extensive & graphic full female nudity throughout entirety of movie.
  • Excessive body brutality exclusively to the female & nude body.
  • Fully naked females explicitly fondle their nude breasts, buttocks & bodies while the camera graphically zooms in.
  • Explicitly sexualized female imagery with close camera female body shots.
  • High impact blood and gore, injury detail and mutilation including closeups of grotesque imagery that cannot be described.
  • Confronting scenes of self-harm.
  • The most graphic detailed drug use in a film ever. Frequent close-ups of injections and highly disturbing including an instance where it is infected and still injected.

At least in movies you get parental advisories, however on the internet children can freely access any of the above gore often without even trying. Still trying to understand, why is the internet getting a carte blanche in that regard.


Prediction: this film will be nominated for an academy award. That’s how unwatchable it is. Long live AI.

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My Top Films of 2024 To Date

I try to watch a film a day. I only select movies that don’t contain gun violence or open political messages. I avoid horror films and everything war-related, be it historical, modern, or science fiction. If it is about war, I don’t watch it. End of the world and apocalypse, only if it is not war-related, like Don’t Look Up a few years back or the Obama feature with Julia Roberts. I watched the latter in part. Technically, I can’t watch 90% of the films due to concerning subject matter outlined above that I consider a danger to a free and democratic society and humanity as a whole. Everything else is on the table.

I keep handwritten notes while I watch and then compile titles in a separate List of Watchables for movies I’d like to see again. This year, less than 15 movies made the list since January. These are the movies I’d pay money to watch again, with links to trailers.

  1. Fallen Leaves by Aki Kaurismäki
  2. Godzilla vs Kong, The New Empire
  3. Godzilla minus One (I made a war exception for this one, because I only heard good things, it was depressing but also deeply moving and contained a strong anti-war message)
  4. Embrassez qui vous voudrez (made in 2002 but I only accessed it this year and was so impressed, I started digging into more French movies and went through the entire Cannes line-up from last year)
  5. Marie-Line et son juge
  6. Une année difficile
  7. Entre nous (Between Us) (very moving LGBT themed)
  8. 3 jours max (Light physical comedy, you laugh from start to end)
  9. La Petite
  10. Complètement crammé (John Malkovitch speaks French lines and sounds great)
  11. La passion de Dodin Bouffant (first half is hypnotizing)
  12. La Chimère (Italian film, breathtakingly beautiful and very emotional, characters you remember, loved everything, can’t wait to see it again)
  13. Mme Mills, Une voisine si parfaite by Sophie Marceau (made in 2018, accessed on Netflix)
  14. Cocorico (a blast, great script, unequaled dialogue)

I would’ve absolutely loved the film La Bête . It has an Inception-ish vibe, but contains unnecessary scenes of animal abuse, without these scenes it would be in my list.

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